3/21/2024 0 Comments Robert liberace panelThe foam panels proved a mistake because of the wind in Northern Ireland. I did take two lovely panels by Max Howard, but in trying to save on weight, ended up taking the rest in gatorfoam panels by Tim Giles (also great). Traveling with my French easel was awful, but it came in handy once there. I also had my first exposure too plein air painting and it was a real experience. (Rob just blocks in by two values light and dark shapes.) I felt these two weeks with Rob really helped me fine tune his "colorist" palette and the block in for under painting has let me jump into any life situation with out hesitation knowing I will get a good likeness. this fall too, so I learned what an incredibly small world it is. My studies with Liberace were great! The art center where we did most of our meeting and gallery work will be hosting Tim T. Now that I am a bit back to life, especially after spending an unexpected evening in Newark, NJ without Jimmie's nor Brian Allanson's phone numbers, I wanted to take a moment to post some of my work from two wonderful weeks in Northern Ireland with Robert Liberace and his extensive family - especially his lovely wife Lina, who is not only one heck of an illustrator herself but a person I really love to spend time with.
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